The Anaconda by Keith Welch

If I had an anaconda
I’ll tell you what I’d do
I’d rent a brand new Honda
and to Disneyland we’d go
at the ticket booth the
man would holler

what you got there son?

I’d produce
the anaconda and point it
like a gun, saying

gimme all your tickets man! Today is free for all!

And he’d gimme all the
tickets and go climbing up a wall
’cause no one wants to
fight an anaconda which constricts
then I’d give out all the tickets to
the spoiled little pricks
But I won’t go to Disneyland
not even with a snake
’cause all the talking animals
give me a belly ache
I’d take the anaconda to the
swamps he loves the best
where he can hunt the nutria
the rats and all the rest
You really can’t go wrong
with a constrictor as a friend
he’s the best of company
from snout to tail-end.

Keith Welch lives and works in Bloomington, Indiana. His work has been published exactly once, possibly in error.

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Life’s Great Unanswered Questions by Gordon Williams

The fridge started it.
Did that light really go out when the door closed?
Questions that have no answers
Bother me.
Not the usual ones such as
Is there a God? And what happens when we die?
But the really difficult ones like
Did the cabaret on the Titanic go down well?
Do fossils meet through carbon dating agencies?
And if you made love in a JCB would you feel the earth move?

It’s not the deep philosophical questions but the simply mundane that perturbs me
Do vandals come from broken homes?
Can acupuncture cure people of pins and needles? Why do they play dance music on hospital radio?
Do people have arguments in fall out shelters?
And would there be any point in making Groundhog Day 2?

More and more questions:
If you tried to row across the Atlantic single-handed would you keep going round in circles?
If its “i” before “e” except after “c” did Einstein get it wrong twice?
Why did kamikaze pilots wear helmets?
What was the best thing before sliced bread?
Do bakery workers on the slicing machine go through thick and thin together?
And if a word was spelt wrongly in a dictionary – how would you know?

I lie awake wondering: if overall prices have gone up 10% in the past twelve months, should I have bought my overalls last year?
And if they made a promotional film for Viagra would they play soft organ music in the background?
Do flashers in Alaska suffer from indecent exposure?
What do plain clothes policemen wear on their day off?
Are human cannonballs people of the highest calibre?
Where does the rubber from worn tyres go?
Do poor KGB agents take in brainwashing?
And do mountaineers rope themselves together to stop the sensible ones from going home?

Still puzzled, I wonder
What are the chances of a fat chance going on a diet and becoming a slim chance?
Can fortune tellers see us coming?
If the Metropolitan Police were issued with pocket calculators would they be a force to be reckoned with?
Do Wasps rugby club have a “B” team?
If BT went bust would they call in the receivers?
Do American evangelists do more than lay people?
Do bored chefs just fritter away their time?
Why are anger management courses currently all the rage?
What were Marcel Marceau’s last words?
What would Kraftwerk Unplugged sound like?
Did Pavlov’s dogs join the Salivation Army?
Why do I keep dong this?
If the buck stops here, where does it start?

And will I ever
Get out of this fridge?

Gordon Williams was born near Manchester when the M6 was still cobbled. Moved to Northern Ireland for the peace and quiet in 1984 and, intractably indolent, still lives there. His stories have appeared in magazines and anthologies, on walls and websites. Some have won prizes; most haven’t. This poem represents 20% of a lifetime’s poetic output.

 

On Failing at the Challenge of Coordinated Lingerie by Josa Young

Why do the pants linger on and on

When the matching bra is long since gone?

Josa Young is a novelist and copywriter. Her two novels One Apple Tasted and Sail Upon the Land are out there somewhere being read. She was a decent poet up until puberty, and has taken to verse again as all the creative frenzy of childbearing has faded.

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Assembly by Marilyn Francis

It was while we were singing
‘All Things Bright And Beautiful’
that I first became Superman
soaring over the dull heads
red cloaked
and fast
as a dart
into the blue.

Clarissa Kent Form 1B
was just an empty uniform
on the school hall floor.

(first published in Domestic Cherry 4)

Marilyn Francis lives, works, and writes poems near Radstock in the wild south-west of England. She has had one collection of poems, “red silk slippers”, published by Circaidy Gregory Press. She also has some other poems out and about in the world, though she has even more lazing in her notebooks.

 

Stopping By by Marcus Bales

Whose wife this is I think I know
He’s not due back til Tuesday, though;
By her enthusiasm here
She wasn’t sad to see him go.

Still, she makes it pretty clear
She wants a part-time chevalier —
It does her good to shout and shake;
I hope the neighbors cannot hear.

Later, kissing me awake,
She says it made a lovely break,
Then indicates which tangled heap
Of clothes is mine, and no mistake.

Once more, then, lovely, dark and deep,
But, after, says she needs her sleep;
She has her promises to keep.
She has her promises to keep.

Not much is known about Marcus Bales except he lives in Cleveland, Ohio, and his poems have not appeared in Poetry Magazine or The New Yorker.

 

Dressing as a Man for a Day by Rachael Clyne

Licking your lip for a last slick
of sauce, is unappetising
when mixed with bristles,

No baggy tops, let your belly flop,
assume others will be riveted
by what you say, that facts

are love tokens, when words fail.
On no account show weakness,
or gaze at other guys.

Stand wide-legged, claim space.
It really is an issue. A rolled up
sock is no substitute

for a cock, but it might
just get you better pay.

Rachael Clyne‘s work has appeared in Prole, The Interpreter’s House, Tears in the Fence. Anthologies: The Very Best of 52, Book of Love and Loss, Poems for a Liminal Age. Her prizewinning collection, Singing at the Bone Tree, concerns our longing for the wild . She also enjoys humour.

 

At The Thought Of You by Harry Gallagher

(After John Cooper Clarke)

Me lips curl up like Autumn leaves,
me insides rattle like skellington keys.
I walk like a man with jellied knees
but, like Oliver, I want more please.

I’m as jumpy as a man with fleas,
as steady as a giraffe on skis.
I’m a chocolate man at 90 degrees,
me words have all turned to mushy peas.

But me love is deeper than the mighty Tees
at the thought of you.

Harry Gallagher co-runs Newcastle’s premier poetry night, The Stanza.  He lives in nearby Cullercoats, where the locals tolerate his poetic pretensions with relatively good nature.  His lack of shame means he is published all over the place and his third pamphlet, ‘Chasing The Sunset’, is out now.

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Moulding by Susan Jordan

Yes, that’s right, fibreglass. Wonderful stuff.
You can make anything out of it. It’s been
my passion ever since my dad taught me
how to work it. I made boats then – simple.
Now I’ve moved on to furniture, shelving,
cupboards, you name it. Whole house full
of my creations. You paint it up, see – no end
of colours and ideas. You’d love the retro
psychedelic swirls, not to mention the faux
gilt chasings and the pink elephant settee.
I made the bed, the heart-shaped headboard
with the dralon inset – I do upholstery too –
and the clawed feet invisibly strengthened
with bits of old hoover pipe. And you’d die
for the bathroom, the bath I did in the shape
of a sardine-tin, open of course, complete
with key, and fishes painted on the bottom.
Pity the grinning octopus on the other wall
is a tentacle short – still, the eyeballs swivel
when you pull the cord and the oyster
loo seat plays three different tunes. It’s like
this stuff expands to fill the time; it hardens
into a shell that hides the space inside.
There wasn’t so much of it while she was alive.

Susan Jordan has always written prose but until recently wrote poetry only from time to time. Inspired by 52, Jo Bell’s wonderful online group, she started writing a lot more poems. Her poems have appeared in print and online magazines including Prole, Obsessed with Pipework, Snakeskin and Ink, Sweat & Tears.

 

Robert Burns on finding his wife standing on a chair, crying by Lesley Quayle

Whit’s up wi ye wumman, whit’s yer despair
an whit’s causing the tears an the snotters?
Ah come in and ah find ye up oan a chair
bubblin louder than thon Afton Waters.
Whit’s that ye say – a wee moose oan the flair
gie’d ye the fright uv yer life,
fer goodness sake lassie, did ye ever compare
the size of the beastie and the size of the wife?
Yer sayin that ah huv tae search the whole place,
but the beastie cud be onywhere,
och, staup aw yer greetin an straighten yer face
ye canny bide there oan a chair.
How’m ah sposed tae find it? Ah’ll no tell ye again,
staup yer girnin an get doon frae there,
can ye no see this stramash is scarin the wain,
that’s enough noo, get doon frae the chair.

Says she – “Rabbie Burns ye can go bile yer heid
For ah’m no comin doon till the bluddy thing’s deid.”

(first published on Stanza’s poetry map of Scotland)

Lesley Quayle is a widely published poet and a folk/blues singer currently living in deepest, darkest rural Dorset.

 

The Tiger (Bread) by Grant Tarbard

Tiger bread, Tiger bread burning bright
On a suntan bed of the oven’s red light,
The dough rises in a big round tangerine eye
And next to him, in a tin, is a bagel sweltering

In the yeast of his youth. A baguette
Lords it over them with his physique,
All bread and bones with an appetite
For the romance of the oven’s welding rings.

Grant Tarbard is internationally published. His collection As I Was Pulled Under the Earth, published by Lapwing Publications, is available now.