My Love by David O’Neill

grumpyladyanim8

 

My love is like an iridescent hue—
A coruscating haze of orange, red and blue;
A parlous transformation certain photons rue
That face destructive interference.

My love is like a bowl of comely fruit,
Whose shiny, dimpled, waxen pericarps impute
The bitter mesocarp, that hints the more astute
Should give sour endocarp due clearance.

My love owes beauty, cold and statuesque,
In graceful poise evoking perfect arabesque
With classic virtues, recrudescing Romanesque,
In worse excesses than Octavian.

My love has feathers in her coiffeured hair—
A monstrous, non-cladistic, bird-brained hybrid pair,
Her rostral pole chimæric with the derrière
Of some denuded ratite avian.

(Editor’s note: the painting on which the poem is based is by Isobel Smerdon, aged 11, and is reproduced with permission. The animation is by the author.)

David O’Neill is a frustrated mathematician who has journeyed through a predominantly life-science-based medical landscape for most of his mortgage-paying professional life, eventually finding salvation in the Open University, too close to the end for practical application but sufficiently early for peace of mind and poetic inspiration.

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Big Hair by Susan Jordan

I knew at once I loved you for your wig
especially when it slipped over your eye.
I’d never thought that hair could be so big.

I must have seemed like such an awful pig.
It made me laugh and then it made me cry.
I knew I had to love you for your wig.

You looked just like a schooner in full rig;
I hoped your sailing wouldn’t pass me by.
I’d never thought that hair could be so big.

I realised you didn’t care a fig
and if you took it off I’d want to die
but still I knew I loved you for your wig.

It didn’t take you very long to twig:
a passion such as mine could hardly lie.
You’d never thought that hair could be so big.

You look at me bewildered as I dig
for all the very many reasons why
I knew I had to love you for your wig.
Who ever thought that hair could be so big?

Susan Jordan was inspired by 52, Jo Bell’s wonderful online group, to start writing a lot more poems. Her work has appeared in print and online magazines including Prole, Obsessed with Pipework, Snakeskin and Ink, Sweat & Tears. Her first collection will be published by Indigo Dreams in 2017.

 

Ode to a Hairdresser by Iseult Healy

He lifted her straggling hair
with the love of a musician
strummed her strands
cried over their condition.

He leaned her head back
so gently on basin’s rim
then massaged and mused
that her hopes weren’t dim.

She bit her soft moans
his fingers stroked her head
and thought of other pleasure
alone in her bed.

Move over here madam, please.
She fought the tears at the loss
of his touch, the exquisite nearness
of his tight-panted crotch.

Then he cut and fussed
admired and caressed
every strand of her hair
till she felt undressed.

She floated home and
tossed her hair
to show his beauty to those
who would stare.

Her husband asked, why so often
to cut one head of hair
at the price of adopting a child
or a new French au pair

Oh, she says,
he shows respect
my tips are dry
from years of neglect.
To stop the rot
he has to treat me
often
and
long.

Bloody poof, I’m sure
you’re on the wrong tack
shampoo and wax
won’t turn the clock back.

Oh, she said.

Your hair’s nice, he said
stumbling into bed
after the match and the beer
his eyes close in his head

Snoring in seconds
before she can reply:

I’m worth it, she says
my tips aren’t dry.

Iseult Healy is published in several journals including USA, Mexico, and Ireland. Also Shortlisted Galway Hospital Trust Poetry Competition 2015.

She is a member of Ox Mountain Poets and A New Ulster groups, and loves Kevin Higgins’ Over the Edge international online poetry workshops.

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