The Cat Lives Rent Free, by Bill Richardson

The Cat Lives Rent Free

This black and white cat arrived in the garden one day
and I made the mistake of feeding them.
I say them because I don’t know the cat’s gender
– or is that sex? –
and who’s to say they’re not sensitive about these matters.
You have to be careful these days.
I mean: not to offend…
Careful too about feeding a feral cat.
I didn’t go looking for a cat.
I don’t love them.
But they’ve got the idea now, of course.
The habit. Calling by each day -
sits patiently at the back door
licking paws in anticipation.
I open the door, and the cat seamlessly,
at the last second, shifts to one side.
Examines the food with multiple sniffs.
There are days when only the sauce will do
and the sardines get left behind.
Especially if they’re not John West.
What is it about John West?
Is it that they get John West at the house of the other neighbour,
the other one they’ve trained…
Or maybe more than one?

Bill Richardson’s poems have been published in a number of magazines. He is Emeritus Professor of Spanish at the University of Galway and has re-engaged in recent years with his passion for creative writing. He enjoys swimming in the Atlantic and practising tai chi to the music of Arvo Pärt.

 

I Wish I Were a Vicar, by Trisha Broomfield

I wish I were a vicar

I wish I were a vicar
penned by Agatha Christie,
I’d visit many well-known faces
who ‘d kindly ask, ‘More tea?’

I wish I were a vicar
in one of Christie’s books,
I’d wander round the place bemused
I’d wear befuddled looks.

And if I were a vicar,
one that Agatha had penned,
I’d find bodies in my library,
exclaim, ‘Good Grief! Heaven forfend!’

As a black and white penned vicar
I’d live on countless pages,
in many different languages,
and truly live for ages.

 

There Used to be Nazis in Haworth, by Tonnie Richmond

There Used to be Nazis in Haworth

strutting up the hill towards the Parsonage
where the Brontë family lived,
incongruous in wartime uniforms
amongst the tourist shops
and nineteenth century ginnels.

They would Sieg Heil! past the church
where Charlotte was married,
show no interest in the old schoolrooms
where her wedding breakfast
had been laid out long ago.

They would goose-step to the Old White Lion Inn,
drink beer with a bunch of British Tommies,
accompanied by their wives,
all dolled up in vintage clothes
and unflattering wartime hairdos.

They have banned the Nazis now.
These creepy annual nineteen-forties
re-enactment gatherings,
with their unpalatable nostalgia for the war,
have become a strangely one-sided affair.

Tonnie Richmond is retired and is interested in archaeology and poetry. These days she finds writing poetry easier than digging. She has had several poems published. Y Dreich, Yaffle and others.

 

What we don’t know the cows know about us, by Bryan Franco

Bryan Franco is a gay, Jewish poet from Brunswick, Maine. He competed with the Portland, Maine Rhythmic Cypher slam team in the 2014 National Poetry Slam in Oakland, California. He has been published in the US, Australia, England, India, Ireland, and Scotland and has featured for poetry events in the US, England, Ireland, and Scotland. He was a finalist in the 2022 NAMI NJ Dara Axelrod Expressive Arts Poetry Contest. He hosts Café Generalissimo Open Mic, is a member of the Beardo Bards of the Bardo poetry troupe, painter, sculptor, gardener, and culinary genius. His book Everything I Think Is All in My Mind was published in 2021 by Read Or Green Books.

 

Six Cornish Limericks, by Mark Totterdell

SIX CORNISH LIMERICKS 

There was a young man from Penzance
Whose chances of finding romance
Would have risen to ‘small’
Up from ‘no chance at all’
Had he thought about changing his pants.

There was an old biker from Newquay
Whose ways grew increasingly kooky.
He would ride up and down
All the streets in the town
In the nude, on his vintage Suzuki.

A grizzled old fisher from Newlyn
Wore a hat that he thought he looked cool in,
But which all of his crew
And the townspeople too
Thought he looked like a silly old fool in.

A foolish young man from Porthcurno
Thought drinking a bottle of Pernod
With a lamb vindaloo
Was a cool thing to do.
Now his guts are a raging inferno.

When a Methodist girl from Penryn
Heard that alcohol use was a sin,
She decided she oughta
Drink nothing but water;
The tonic sort, topped up with gin.

When a careless old man from Lamorna
Came out fully unclothed from the sauna,
Then the sight of his bits
Had his neighbours in fits
And upset all the neighbourhood fauna.


Mark Totterdell’s poems have appeared widely in magazines. His collections are This Patter of Traces (Oversteps Books, 2014), Mapping (Indigo Dreams Publishing, 2018) and Mollusc (The High Window Press, 2021).

 

Fostering an Elephant, by Matthew Sissons

Fostering an Elephant

So far, no one has complained
about the late-night tanker truck
deliveries. She’s only a baby.
Drinks gallons of milk. We go
directly to a dairy. It’s expensive,
but who cares? I think the neighbors
are jealous.

A golden retriever or a Siamese
cat would have been ideal- we
live in a small house, with a
smaller backyard- but for the
elephant, it was us or the poachers-
so we took her in.

The kids are wild about her.
Walk her without complaint.
They promised to keep the yard
clean- My wife and I do most
of the pooper scoopering. We
spoil them.

When the constant trumpeting
began, we piled into the mini-van,
rushed her to the vet. She said
there was nothing wrong with
the elephant physically. Turns out
elephants are matriarchal- I think
she missed her family. She seems
to be settling in with mine.

I’m crazy about her too- built her
a house outback. When it’s warm,
she sleeps there. She’s smart. Easy
to train. Remembers everything-
Never has to be told things twice.

Matthew Sisson’s poetry has appeared in journals ranging from the “Harvard Review Online,” to “JAMA The Journal of the American Medical Association.” He has been nominated for a Pushcart Prize, and read his work on NPR’s “On Point.” His First book, “Please, Call Me Moby,” was published by the Pecan Grove Press, St. Mary’s University, San Antonio, Texas.

 

The Black Nightshade, by Patricia Phillips-Batoma

The Black Nightshade

The butterflies return
to find me stooped
among the landscape stones,
tugging out Fleabane,
unearthing thick stems of sharp Thistle.

This time of year
my neighbors side eye
each other’s yards,
fear that my weeds
might invade their lawns.

Am I at war with a side yard
I’ll never control? It’s tempting
to use Borax, sprinkle wide-spectrum
pre-emergence broadleaf weed block.

Some life forms need little tending.
I pull Oxalis, Ragweed, and Wild Violets
wearing suede gloves
decorated with flowers.

For something so aggravating,
we have the most evocative names.
Doors to little worlds begging.

Down some pricy meat at the Lamb’s Quarter bistro.
Then jingle the brass bell at the Purslane book shop.
Gobble a sundae at Nutsedge, leave with a box of fudge.
And finger the hand-knit cardigans at Velvet Leaf Yarn Barn.

But in all seriousness,
if I owned a watering hole in this town,
I’d call it The Black Nightshade.
Because that’s a place I know you’d go
to find out what’s on tap.
 

Shopping, by Trevor Alexander

Shopping

I need to get stuff from the local mart,
but then my stupid car just will not start.
I ring the garage, but they cannot come
until a week on Thursday, minimum.
The buses are on strike, so they’re no use;
I silently bombard them with abuse.
A taxi then I guess, and hang the cost,
but time goes by – I think they must be lost.
At last a car arrives outside my gate
and toots as if to say it’s me that’s late.
I gallop down the drive and can’t resist
a much relieved internal pump of fist.
My head explodes when we get to the store;
I’ve left my wallet by the kitchen door



Trevor retired in 2013, and decided to write a novel. Stalled on chapter 3, he ventured into poetry. He has been published in anthologies and magazines in UK and USA, plus his own book in 2017. Trevor has read at several Literary Festivals, and regularly contributes at poetry/spoken word groups.
 

Meanwhile, on a Sardinian Beach, by Maeve O’Sullivan

Meanwhile, on a Sardinian Beach

She could be a young writer
this tattooed woman
in a yellow bikini

with laser-like attention
she watches for activity
along the shore

scribbling her thoughts
opinions and observations
into a hardback notebook

her work comes to fruition
much faster than that
of an author however

accosting the offender
in the act of stealing precious sand
she issues the on-the-spot fine.

 

How Spaffer Johnson got his name, by Colin Day

How Spaffer Johnson got his name
(or what I learned from John Wilmot , Earl of Rochester & Catullus )

Eton is a fine and competitive place
our betters arranged in a hierarchy of testosterone,
anticipation on each boy’s privileged and gleaming face
as they wait in thrall for the annual drumming of the bone.

It’s called the masturbatorium in extremis,
held in the dark days of December
a call to arms, firm grip on every penis,
the ultimate test of any patrician’s member.

They stand in line by the fives court wall,
up and over, spectacular arc of ejaculate,
tape measure ready to mark the viscous globules’ fall
distance, height, and consistency to debate.

The record stands where, with a resounding splat,
Johnson hit the far wall, proving beyond dispute,
he’s the man to garner all the loot
indeed that self-regarding institution’s greatest twat.