Safe Word, by Hilary Willmott

SAFE WORD

Keeping it simple is for the best
Choose nothing hard to say
Something easy, sharp and short
You'll be better off that way.

I would suggest a few words here
Such as 'North' or 'East' or 'South"
And never words that can't be formed
With an orange in your mouth.

Hilary Willmott


Hilary has been published and sometimes shortlisted over the years by Templar Press, The Exeter Broadsheet, Leaf, Velvet, Obsessed with Pipework Bristol PoetryCan and Mr Garnham.
 

Masseuse Musings, by Mohammad Zahid

Masseuse Musings

The frigidity of your subcutaneous elastin requires some thaw. The lymphatic network might be chocked somewhat, depositing sediments of sloth at the intersecting nodes that need a gentle flush. Which is why you feel the way you do. Weary. Some knots need to be untangled, some pores unclogged. Some dryness in the underlying adipose layer needs nourishment, the drought needs to be watered with oil! Here we have all essential oils that heal ailments, real or fictional. Surprised, are you?
Listen, some caged entropy also needs to be set free.
Lie down and relax.
Ah! your heart beat is listening, the eavesdropping heart, eh! Trust my ambidextrous experience that has let down none so far.
The human machine in you needs regular oiling to keep the engine revving on!

Will you pay in cash or by card?

Mohammad Zahid is a poet and translator from Kashmir, India. His maiden poetry collection The Pheromone Trail bagged the Best Book Award from the Academy of Art Culture and Languages, Jammu & Kashmir in 2015.

His poetry has appeared in many Indian and international journals. He is a translation editor for Kashmiri Language at Muse India and Lakeview International Journal of Literature and Arts.

 

Feral Dogs of Riogordo, by Hilary Willmott

Feral Dogs of Riogordo

It's three a.m and I need a pee which I have been delaying
since it takes but the slightest movement to rouse the feral dogs of Riogordo. The dog who sleeps behind the house likes to conduct proceedings.

In my half sleep I see him with a baton which he raises and with two sharp yelps has the rapt attention of all dogs within a five mile radius. They quickly reach frenzy pitch to become a canine
cacophony of sound echoing across the countryside and down into the pueblo.

Pleased with tonight's turnout the conductor discards his baton and after a perfunctory nibble on his testicles, curls into a ball and sleeps.

The choir note his absence and become sotto voce until they too
abandon the proceedings to await the next tap of the conductor's baton.

Hilary Willmott

Hilary has been writing for many years and has been published by Templar Press, Bristol PoetryCan, Leaf, Velvet, The Exeter Broadsheet, Obsessed with Pipework and Mr Garnham himself. She lives close to the river in the south west of England, with her partner and a small pack of dogs.
 

Double Entendre, by Jeff Burd

Double Entendre 

The doctor says you’ll have to
remove your pants. You’re
there in the exam room with
him and his intern. She’s young.
Blonde. Her eager eyes sparkle
as she hovers beside him.

“Do you mind if she’s in here for this?”
the doctor asks. “She’s got
several requirements
I don’t want her to miss.”

The intern clutches a clipboard.
You imagine a neatly typed checklist.
This next task looms at the bottom
next to a barren, untouched little box.

It’s okay with you. The doctor probes
and talks his way through several
tender angles and steps aside. The intern
reaches for a glove, and you realize too late
that the ‘here’ she’s going to be ‘in’
is much more than the exam room.

Jeff Burd works as a high school English teacher in the north suburbs of Chicago. Mr. Burd spends a lot of time writing and thinking about writing, and worrying about not writing and thinking about writing.

 

Pissed as a Newt, by Sarah James

Pissed as a Newt

The pub garden has pools
of spilt sky; the wooden tables
are rotting, the fixed benches
as immovable as rock.

Shadeless windows glare
in the midday sunlight,
making bar-proppers blink
and call for reed shutters.

The day’s fight starts early,
with a fast-flicking reptile
tail, riling a legless lizard
lazing in the lounge.

The last newt standing
slams down his acorn tankard
and crawls behind the bar
to pour a fresh absinthe.

A force not to be messed with,
he lets the gravity of upturned
stools pass him by
and hiccups another optic.

The Newton’s Inn sign
creaks with years of rust;
two more letters fall
face-down in the dust.



BIOGRAPHY: Sarah James is a poet, fiction writer and photographer. Her latest collection, Blood Sugar, Sex, Magic (Verve Poetry Press), is partially inspired by having type one diabetes since she was six. For her, good laughter is a natural medicine. Her website is at www.sarah-james.co.uk.
 

Lukewarm, by Terri Metcalfe

Lukewarm

I’ll forget you just like I forgot all the others.
It doesn’t matter that you’re hot
with the scent of youth, distant

as a phantom smell.
You’ll be lukewarm like lavender on an old hankie
once these stinking thieves of my attention
have faded to memories.

You’re no different.
Won’t slide past my respiratory passages any easier –
my insides stained rotten as a neglected toilet bowl.

Look, any minute now I’ll excite your molecules
back to life, so quit staring at me.
I offer the metallic tinged ting of the microwave,
or I can easily scald a new teabag.
 

Ode to the Best Medicine, by Phil Genoux

Ode to the Best Medicine

I take it in the morning, I take it in the night,
I take it black as the gallows, l take it light and bright.
It gets me in the belly, it gets me in the face,
It gets me out of myself and back in the human race.

Give me your nonsense, your wordplay and your puns,
Well thought out or off-the-cuff, I`ll take them as they come.
Deadpan, dry, or epigrammatic,
Any time of day, I want to be at it.

Show me your innuendo and your folie de grandeur,
Rub me up the wrong way with your double-entendre.
Slap me on the arse with some Commedia-del-arte,
Hit me in the brain with your witty repartee.

Clownish, daft or plain idiotic,
It all feels better than antibiotics.
High-brow or low-brow, adult or adolescent:
They`re all way better than anti-depressants.

Off colour, dark, blue or black,
Give it a shot, because I` m up for the crack.
Salty, snarky or understated,
If it sets me off, I`ll advocate it.

Cringe, parodic, surreal or sardonic,
Sarcastic or bombastic, it`s all a tonic.
Juvenile, slapstick or totally hyperbolic:
All good ways to cure the melancholic.

So, don`t be downcast, have a blast,
Keeping them coming thick and fast.
Being miserable? I just can`t be arsed.
Because the honest truth is: He who laughs, lasts.

Phil Genoux lives in Glastonbury. He has always enjoyed entertaining people and making them laugh. He did it for 12 years as a mime artist travelling all over Europe. Now he is using words.”

 

Bloody Crows, by Agnes Warren

Bloody Crows


My morning cup interrupted
I burst from the door
A demented whirling dervish
In a pink fleecy robe
Gesticulate wildly,
Hurl foul abuse

They scatter
In all directions
A black feathered diaspora
Momentarily exiled
But ever watchful
They bide their time
Never doubt their rightful return

My poor beleaguered hens
Seize the moment
Occupy the feeder
Under the protective eye
Of a garishly clad
UN Peacekeeper

The farmer offers
To shoot one
Hang the carcass on a pole
A warning to the others
Just say the word he says
Surprised, as I recoil

I retreat down the rabbit hole
Of internet advice
From BB guns
To hawk shaped kites
My head spins

Out of nowhere they come
A grandmother's words
Be gentle with nature
Take care of the wild things
Feed the birds

I stand, cup in hand
Watch, admire
My unruly visitors

Disgruntled hens and trigger-happy farmers aside
Equilibrium is restored

Agnes Warren lives in the West of Ireland. She started writing poetry in 2021 and participated in a series of workshops with Kevin Higgins, through Galway Arts Centre.
 

A misuse of fruit, by Anne Babbs

A misuse of fruit

It was meant to be erotic.
The strategically placed strawberries,
The cream-covered nipples,
but all I could think was
that the sheets would need changing
before I could sleep.


Anne is a poet who regularly takes part in open mic events and the occasional slam. A selection of her poems can be found in the ‘New Voices’ anthology published by Offa’s Press in 2022.

 

A Fleeting Glimpse, by Ben Macnair

A Fleeting Glimpse

A man going about his business.
An expression asking, Alright Mate?
A three-day beard.
A collar pulled up against the wind,
like Elvis in Vegas,
melancholic sepia
replaces the bright lights.

He has Daniel Craig’s ears.
A Peaky Blinder’s hat.
Laughter Lines.
A smile as wide as a piano,
missing all of its keys.

He could have been more,
like all of us.
He is happy with his life,
like some of us.
He knows his past is longer
than the days that remain.
Slippers, a Pipe and a loyal dog
await him at home,
with the peeling wallpaper,
the newspaper cuttings,
Rotherham’s Junior Disco Dance Champion, 1982.