The Birds and Bees at Aldi’s Checkout, by Lorraine Carey

The Birds and Bees at Aldi’s Checkout

Showering my five year old
one evening in the run up
to Christmas, he casually
enquired whether Santa Claus
could see his privates,
and hear him fart in bed.

Stifling a laugh I realised days before,
I’d declared Santa could
see and hear everything
At the supermarket checkout,
he asked do I have to be a Granddad
when I grow up ?

Bagging groceries as fast as I could,
I replied, well, that depends
and you would need to be a Dad first.
I knew what was coming
and so did the shoppers in the queue.
He appeared a bit flummoxed

and asked how do I be a Dad then ?
Using age appropriate language,
I attempted an answer while loading
the boot, hoped it would suffice,
explaining it would be a really, really
long time before he was a man and had

to worry about a girlfriend or things like that.
Driving home, he hummed Jingle Bells
behind me, elevated in a booster seat,
with his chocolate crusted cupid’s bow,
firing off questions to his teddy
like sparks from a Catherine Wheel,

saving this one just for me.
Mum, what if I’m all growed up
in love like a man with my lady
and forget what I have to do ?

Lorraine Carey’s a poet from Greencastle, Donegal. Her poems are widely anthologised and have appeared in Poetry Ireland Review, The Waxed Lemon, One, Abridged, Poetry Birmingham, The High Window, Ink Sweat &Tears, Orbis, Eunoia Review and The Honest Ulsterman. Her art and photography have also featured online and in print.

 

Frames, by Eddie Gibbons

FRAMES

He met her at the Art Gallery.

Made eyes at her
across a Caravaggio.

Saw her framed against a Miro.

Watched her glide along
an avenue of Monets.

She saw him standing
like a prick
between two Pollocks.

Published in ‘The Republic of Ted’, Thirsty Books, Edinburgh, 2003.

Eddie Gibbons has six published poetry collections. ‘What They Say About You’ was shortlisted for the ‘Scottish Poetry Book of the Year’, 2011. He was a prizewinner in the inaugural ‘Edwin Morgan Poetry Competition’, 2008. He has a poem in the Bloodaxe anthology ‘Land of Three Rivers’. Twitter- @1Eddie_Gibbons

 

Oh Me!, by beam

Oh Me!
I am a soggy biscuit
I am murking
at the bottom
of your
mug

I am a sang-widge
you thought you threw away…
a Summer ago

I am a surprise from a stranger
who’s known to the Gardaí
you didn’t wear your glasses
you thought I was waving
but I was wanking

beam is a 26 year old poet from Ireland. She has participated in workshops led by Kevin Higgins, read at Galway City’s Literary Organisation event ”Over The Edge” and has been published in Cabinet Of Heed, Broadsheet.ie, Impspired, Lothlorien Poetry Journal, Spilling Hot Cocoa Over Martin Amos, WordCityLit, Ink Sweat and Tears & Open Skies. Recent work includes; surviving the pandemic and several disappointing sourdough loaves. She is becoming the kind of person who says the things you ”aren’t supposed to say”. You can find more of her poetry @personalbeam on instagram.

 

Iona walk of shame, by Jay Whittaker

Iona walk of shame

No minister
I did not leave
my sodden knickers
on the rocks
after semi-skinny dipping
on the Sabbath

that must have been some other pilgrim.
But there is learning here –
wet black pants
look just like kelp
strewn across a rock.

Jay Whittaker lives and works in Edinburgh. Her debut poetry collection Wristwatch (Cinnamon Press) was the Scottish Poetry Book of the Year (Saltire Society Literary Awards) 2018. Her second collection, Sweet Anaesthetist, (also Cinnamon Press) was published in 2020. Jay is widely published, including two poems in the recent Bloodaxe anthology, Staying Human. www.jaywhittaker.uk / @jaywhittapoet

 

A man on the 19.34 to Birmingham New Street, having misread the signals, uses his mobile to try to arrange another date with the woman who has hastily waved him off at Liverpool Lime Street , by Emma Purshouse

A man on the 19.34 to Birmingham New Street, having misread the signals,
uses his mobile to try to arrange another date with the woman who has
hastily waved him off at Liverpool Lime Street

Whah?
Say again.

I bet yum freezing
ya baps off ay ya,
bab? Say again.
Say again. Whah?

I could come back

like, warm you up.
Whah? Say again.

Say again. Whah?

Errrrr……Runcorn.

Say again? Whah?

Thursday. Thurs…

Say again. I know,

yeah. Say…………

Ok…………..Tarrah.

Tarrahtarrahtarrah.

 

Sleeping Legion, by Jennie E. Owen

Sleeping Legion

They’re all here tonight you know,
every face you’ve ever seen
flickering behind your eyes like cherries
spinning like bells
they put on a show
as you push off your blankets
then swaddle them again.

Your old maths teacher chases you
to the edge of the cliff,
a book of equations in one hand
a garden gnome in the other. Whilst
a midwife leads you
down endless
hospital corridors

where at the end
you’ll find nothing but the check-out boy,
the one with whom you locked eyes
over a cucumber
and a packet of hob nobs,
last Tuesday.

Jennie E. Owen’s writing has won competitions and has been widely published online, in literary journals and anthologies. She teaches Creative Writing for The Open University and lives in Lancashire with her husband, three children, and cat.

 

Because it’s total crap, by Karen Jones

Because it’s total crap

Ratner lifted the lid on a sherry decanter
At £4.95 a pop too good to countenance
When asked about his high-street gems
Little tacky rings for working class girls
Risking bedtime dealings with blue collar boys

It was Gerald who had himself by the balls
All for earrings costing less than a quid
He’d choke on an M&S sandwich now
Fish the prawns himself if he could
Than grapple with the loss of a
$10 billion business, 10 seconds to nought

Now 30 years after the biggest PR gaffe
The Sultan of Bling can only think back
To Mrs Ratner and her word of advice
The only pearl he declined to string
Ego really is a terrible thing

Karen Jones is new to writing poetry, a student of Kevin Higgins, born in Northern Ireland, living in Dublin and working in public relations.

 

Speed Dating, by Enna Michaels

Speed Dating

So here I am, A newly single mum of two.
Not exactly all that defines me – But it’ll do.
Some friends suggested I go on a date,
Find ‘someone special’ before it’s too late.

Thanks ‘friends’ if that is what you are.
I thought I was doing well thought I was shining like a star.
But my ‘friends’ are quite persuasive so here I am in a shabby hotel.
Surrounded by the desperation brigade and things are not going well.

First, we’re told to mingle, we have been given a free drink.
But frankly it’s not that appealing and the majority of them stink.
The ‘ladies’ are sat at tables, the ‘fair blooms’ should be approached.
With caution in my opinion – the men circle ready to be reproached.

The first one is called Gary and he really likes his car.
He promises to drive me wherever I want to go – so long as it has a bar.
The second one is ‘Mikey’ – he went to university you know.
Although he didn’t quite manage to finish – but is quite happy on the dole.

The next one is quite exotic – Julio is his name.
He looks around with boredom in his eyes, so in some ways we are the same.
But the charms of dashing Julio are limited, he sweats more than a bull.
And as he talks about his successes it’s the clear the comparison is full….

Then I’m introduced to Arthur, he calls himself ‘a proper gent’.
He shows off a fake Rolex, and that’s not all that’s bent.
Sebastian seems quite nice; he admits he doesn’t have a lot to say.
His beloved wife brought him along – apparently, they like ‘role play’.

Oliver seems very shy – he admits it’s not his scene,
I wonder if his mother knows he is out – far too young and green.
Milo is a chef you know, cooking is his passion,
And lots of pretty young girls too, especially those into fashion.

There are more men than women here, we’re expected to be polite.
I secretly wish I were elsewhere, being more productive with my night.
I finally think of something to speed things up and end this silly game.
I look deeply into the eyes and say, “Are you Brexit or Remain?”

 

Slipping back into the creation of me, by I Am Cereal Killer

Slipping back into the creation of me

Slipping back into the creation of me,
I find myself hollow and nobody can help,
My thoughts are mine and nobody can change them,
Someone might want to,
Lisa said “One way to float is if you die”
But I am not of that,
There is too much life there to live,
To hold,
To love,

I am rising again like a flock that floats,
Up to the cloud for no one to find,
Hide again to shock me out of this world,
The tapping of the plastic that annoys me,
Rubbing and then buff for the showing of the world,

I’m done – complete,
The finishing of this story is never near,
But to the end we mustn’t advance,
The wow in my life has been rocked back and forth, forth and back,
Rocking until we feel sick with emotion, I can’t find the right metaphor but it will come,
On air I am hungry but that era is done,
I’ve begun but I do not know how to stop,

I slipped away and nobody noticed.

I AM CEREAL KILLER was born in 1995 out of grief and anger. After 19 friends and acquaintances died from complications from AIDS over a three year period, I was advised to “get it all out, write it all down.” And once I had it on paper, what would I do with it but put on a show? Inspired by the Divine David, I discovered I AM CEREAL KILLER’s extraordinary look, a kaleidoscope of colors constantly shifting with his mood of the moment.

I AM CEREAL KILLER is also the proud author of two books, This Isn’t a Gift, It’s Just the Way I Feel (yes, never fear to reutilize a title that worked the first time) and A Collection of Dildos on My Shelf. These can be found on the shelves of The British Library and are sold on Amazon (not by him) for exorbitant amounts. There is also a spoken word CD with tracks produced by Richard Torry of Minty, and a guest appearance on the Fuzzbox video, WGAF-AWFUI!

Now, I AM CEREAL KILLER talks about a much wider range of topics in regards to LGBT rights and acceptance. A new show is coming to New York City with fresh material and the fresh title of The Aerodynamics of Giraffes and How to Slice Them Properly (see show to understand title).

 

Jax, By Anne McDonald

Jax

You know the feeling when you want to go
And he’s enrapt in stretching conversation
You wait for hours
For pause or punctuation
And when it comes
You say politely, if somewhat sharply
“Lookit, I have to go to the Jax.”
Hoping something will hold it in ‘till you find the loo
You get there fit to burst and find
A bursting, red faced, cross legged queue
And so, we females exercise our amazing ability
Not to burst.
By various positions of the legs,
Crossed, Knotted, shifting the weight from one to the other
And your bladder feels like Friesian’s udder
When the milking machine breaks down
Or there’s a power cut.
In a brilliant attempt at mind over matter
You join in gossips delirious chatter
Of fellow sufferers
Until at last the toilet’s empty-
Rush in,
Bang door,
Knicks down
Then you notice there is no lock,
O.K.
So you hold the door with one hand
Stretched 3 inches longer than its normal length
And squat,
Never, ever sit on the bowl!
Because your jeans were tight
And your position is unnaturally elongated
(on account of the door)
Your aim deflects,
But you can’t stop
Four pints and two gins
The force of which is producing enough electricity
To do a seven pound wash on a short spin.
Then you begin
the hapless search
Under the bowl
And on the floor
And this is very difficult
When you are squatting with one hand
Still holding the door,
Your heart sinks
When you realize there is none.
Not a square,
Not a scrap
Not a cardboard holder
And so,
You almost dislocate your shoulde
As one hand still holding the door
You yank your jeans up and your knickers roll
Into a rope around the tops of your legs
Like they do when you go swimming
And don’t dry yourself.
Electric shock of a wet waistband
means the shirt you so meticulously tucked
In when dressing will hopefully hang outside
And be long enough to prevent people guessing
If you’ve wet yourself.
Now, some of us have tried to make a stand on this issue
And put off performance to march defiantly to the bar
to ask for some toilet tissue.
“Certainly Madam” the bar man says
“Will you be wanting it with ice and lemon?”
As he and his cronies piss themselves laughing
If you’ll pardon the pun
And he hands you a catering bale of Andrex.
So you take the rolls and cross the room
Trying to look nonchalantly cool
And feeling like an eejit
Until you reach it
Ladies loo
Complete with queue
Then it’s you
And then you’re in
Bang the door
Kacks down
Arm out
Paper ready
But
You
Cant
Go.
Nothing.
Not a drop.
Not a trickle.
Cold sweat,
And then a Lone Pathetic Dribble
After all that.
When this happened to me
I heard a woman next door
Grumble and fumble and feel on the floor,
“Do you want paper?” I shouted
My voice getting higher
“Paper?” she shouted
“I need a fucking hair dryer!”
Now I know that paper is made from trees
And people are genuinely worried
about the slaughter
Of the tropics
Which is affecting the ozone
And messing up the weather
But if this happens to you
I would humbly suggest
you use half a roll
for spite and badness
And put a wad inside your pocket
In case you get caught short on the way home.
So girls you might as well lash back the pints
And drown in the gin
With the jax in the pub
A woman can’t win.

Anne McDonald is an award winning writer and spoken word poet. She has performed in Dublin and London as part of a Women Of Wit collective and is a regular reader on open mic nights in Ireland, the US and the UK.
Her first collection “Crow’s Books” was published in March 2020. https://creativelythinkingweb.wordpress.com/