Live Laugh Love, by Roise Curran

“Live Laugh Love”
-Kim Jong Un

Former housemate Cillian (from Donegal)
bought him on Amazon for £12.99
and hung him high in the kitchen/living room
for all passers-by to admire his great glory.

He looks mighty chuffed
in front of his military sub,
and, cigarette in hand,
is quoted saying “live, laugh, love”
in beautiful curly cursive,
so, all us Irish twenty-whatever year olds
can look upon his superiority
and salute while preaching
our daily affirmations.

Right before we take our own cigarette
and burn a little hole in the flag fabric,
place a stolen public toilet sign over his head,
and drunkenly use him as a makeshift tea towel.

We’re just doing as we’re told, respected comrade,
We’re “live, laugh, love”-ing

Róise Curran is a 19 year old poet from Galway who has barely published any work but will get around to it eventually. She started writing when she was 15 as a way to express her disdain for school but I suppose she’s moved on a little. Now, she writes poems about all sorts of things like moving out, mental health and a good few about her cats. You’ll likely be hearing from her soon, she never shuts up (which is a good thing!)

 

Not an Epic, by Terri Metcalfe

Not an Epic

With my attention span,
I don’t write long poems
hanging off the ends of sentences
veering into the weather forecast

scattered wordy periods.

I chance the occasional romance
with assonance but like snow in May,
it bewilders me so I let it melt

away. I’ve always felt
I am four stanzas average,
five and I risk an accidental plummet
into my shopping list. Boy with a mullet

on Shop Street, don’t go bringing
back hairstyles that should only ever
be fish...pie mix, juice, not from

Terri Metcalfe has been published in Abridged, A New Ulster, Green Ink Poetry, Spilling Cocoa and Skylight 47. She was shortlisted for the Open Window 2023 mentorship programme and will be a featured reader at the 20th anniversary of Over The Edge Literary Events held in Galway this January.

 

One’s Own, by Kevin Higgins

One's Own
after Virginia Woolf & Father Jack Hackett

My psychotherapist agrees
I need to get to a place
where I think less
about my own arse
and more about other people's.

Like most of you I've long,
on the quiet, been a keen amateur bottomist.
She thinks I should haul it to the next level
become writer-in-residence at a nudist colony
or regular weekend orgy of consenting literary theorists.

And when I retire from that
or, better still, get tossed brutally out the gate
for conduct unbecoming for even
a writer-in-residence at a nudist colony
or weekend orgy of consenting literary theorists

that I must sit by my upstairs window spying
through my hyper-sighted binoculars
the pump action thrusts of morning cyclists;
become so focused on theirs

that, to paraphrase Virginia Woolf, I neglect
entirely that one has, in fact,
an arse of one’s own,
and is indeed sitting on it.

KEVIN HIGGINS is co-organiser of Over The Edge literary events in Galway. He has published six full collections of poems: The Boy With No Face (2005), Time Gentlemen, Please (2008), Frightening NewFurniture (2010), The Ghost In The Lobby (2014), Sex and Death at Merlin Park Hospital (2019), &Ecstatic (2022). His poems also feature in Identity Parade – New British and Irish Poets (Bloodaxe, 2010) and in The Hundred Years’ War: modern war poems (Ed Neil Astley, Bloodaxe May 2014). Kevin was satirist-in-residence with the alternative literature website The Bogman’s Cannon 2015-16. 2016 – The Selected Satires of Kevin Higgins was published by NuaScéalta in 2016. The Minister For Poetry Has Decreed was published by Culture Matters (UK) also in 2016. Song of Songs 2:0 – New & Selected Poems was published by Salmon in Spring 2017. Kevin is a highly experienced workshop facilitator and several of his students have gone on to achieve publication success. He has facilitated poetry workshops at Galway Arts Centre and taught Creative Writing at Galway Technical Institute for the past fifteen years. Kevin is the Creative Writing Director for the NUI Galway International Summer School and also teaches on the NUIG BA Creative Writing Connect programme. His poems have been praised by, among others, Tony Blair’s biographer John Rentoul, Observer columnist Nick Cohen, writer and activist Eamonn McCann, historian Ruth Dudley Edwards, and Sunday Independent columnist Gene Kerrigan; and have been quoted in The Daily Telegraph, The Independent, The Times (London), Hot Press magazine, Phoenix magazine, The Daily Mirror and on The Vincent Browne Show, and read aloud by Ken Loach at a political meeting in London. He has published topical political poems in publications as various as The New European, The Morning Star, Dissent Magazine (USA), Village Magazine (Ireland), & Harry’s Place. The Stinging Fly magazine has described Kevin as “likely the most widely read living poet in Ireland”. Kevin’s poetry has been translated into Greek, Spanish, Italian, Japanese, Albanian, French, Russian, & Portuguese. One of Kevin’s poems features in A Galway Epiphany, the final instalment of Ken Bruen’s Jack Taylor series of novels which is just published. His work has been broadcast on RTE Radio, Lyric FM, and BBC Radio 4. His book The Colour Yellow & The Number 19: Negative Thoughts That Helped One Man Mostly Retain His Sanity During 2020 was published in late 2020 by Nuascealta. His extended essay Thrills & Difficulties: Being A Marxist Poet In 21st Century Ireland was published in pamphlet form by Beir Bua Press last year. In December 2021 Kevin was both expelled from the British Labour Party, of which he was an overseas member, for publishing his poem ‘Tribute Acts’ in Socialist Appeal magazine and, on the very same day, awarded ‘Poet of The Year’ at the Labour Heroes Awards event at Conway Hall, London. This year Kevin received a dozen nominations for the position of Ireland Chair of Poetry – Ireland’s Professor of Poetry. Ecstatic, Kevin’s sixth full poetry collection is just published by Salmon Poetry.

 

The Lighthouse Keeper, by Ben Macnair

Mr Jones, the Lighthouse Keeper,
had an ever increasing collection of masks,
finding them on Amazon,
going for a song on Ebay,
fading celebrities,
an Amazonian Warrior,
Donald Trump, the colour of desperation,
everyday waiting for the knock.
The Postman whistling his happy little tune,
handing over the packages,
waiting for the signatures,
the always offered cup of tea,
wanting to get away from the hundreds of faces,
with no eyes.

Mr Jones liked the silence,
time to himself,
with no disturbance,
no company.
So, when the four kids,
the two attractive ones,
the two unattractive ones,
and their Great Dane with his
liking for eight foot tall sandwiches,
called in, after being stranded
it all got a bit too much.

Mr Jones, tried on his masks,
finding the one with best fit,
and the worst intentions,
and scared the kids,
and that pesky, overweight dog right off,
but he forgot about the body in his back-yard,
the diamonds under the patio,
the blood on the roof,
from the previous tenants,
and the Police came and arrested him,
put him away for years.
No lawyer would take the case,
of a Lighthouse Keeper,
hiding behind someone else’s
plastic face.

 

Disco Badgers, by Neil Windsor

Disco Badgers 

What's that rustling in the trees? It's the Disco Badgers strutting their funky stuff
From their lofty perch high amongst the foliage they just can't get enough
They have a fondness for the 70s disco groove
You can tell that by the way they sway and move
They hang their transistor radio from a lower branch, tuned to retro golden disco hits
They party through the night shaking their badger bits

In the early morning light they retire to their underground homes
Clearing up their empty beer cans, burger boxes, and southern fried chicken bones
Bio diversity responsibilities matter to these funky types
As much as their chest hangin' medallions and perma tanned facial stripes.


They hold each others front paws for support as they stand on their hind legs and groove
In hip swingin' disco fashion they rhythmically move

You'll notice I've used move and groove twice now but you can never have enough
They have to concentrate and not let go otherwise they'll tumble to the ground luckily these badgers are tough
With plaintive 'eek thump eek thump eek thump' echoing in the dark, as gravity takes it's toll
They land with a wild yelled 'Geronimo!' and perfectly executed parachute roll
They traipse back homewards using the zebra crossing, road safety is their primary thought
'Now you see them, now you don't' as on the cctv they're caught

Carefully passing the convenience store the bar code faced badgers creep
Desperate not to set off the till scanners bip bip bip beep
They keep to the shadows, dropping their litter in the relevant receptacle
They recycle responsibly of course but remain global warming sceptical
They're eager to do their bit, it's what climate conscious creatures do
They're just happy the badger cull's been vetoed and banished to the back of the animal killing queue

Neil Windsor is a Writer of children’s short stories, Artist and Poet from Leeds who produces and performs all his work with an absolute passion and a slightly slanted off – kilter view of life.
He also plays extremely bad left handed blues guitar.#neilwindsorart