Errands, by Sarah J. Bryson

Errands

As novices on the ward
we students were sent to collect,
to beg to borrow –

‘nip to 15 see if they have any spare
draw sheets, and ask Sister Pink
if you can borrow a sphyg,’

‘go down to the porter’s lodge
and tell them we need someone urgently:
bring one of them back with you,’

‘take this list to CSSD
with the trolley, and bring back
as much as you can to stock up’

One day I was asked to go to
the orthopaedic ward
for left handed syringes

and a long stand.

Sarah J Bryson

Bio
Sarah has poems published in print journals, anthologies and on line. She has been a regular participant, during the Covid pandemic, in a weekly on-line arts event, combining photographs with haiku style poetry and has recently had several poems on the Poetry and Covid site.

 

Strictly Speaking, by MT Taylor

Strictly speaking…

…her shoes let them down
five inch heels and that soft kid leather
in come-fuck-me red.
Were they ever
really a pair?

He with his polished Latino click
hers a scarlet asymmetric slit
with a temper to match
his a spandex sparkle
and the macassared slick
of his Lugosi thatch

She didn’t fall, merely tripped
on his slippery charm
and her own indecision
lost her footing
gripped his arm as they took to the floor
in their downward collision.
She felt a smack from the back
of his left Cuban stack.

She’s had enough.
Through the crack of his dislocation
she remembered old scores
lost marks
humiliation

The last he knew was her impatient sigh
and the crushing sight
of her restless stiletto above his eye
the mocking cry
the samba siren and the boys in blue
(what-the-foxtrot-tango?)
lights on full
Paso doble
torero mujer
and one dead bull

MT Taylor was a librarian before retiring to Glasgow. Her work has appeared in The Glasgow Review of Books, Ink Sweat and Tears, The Interpreter’s House, Northwords Now, The Lake, Under the Radar, and Poems for Grenfell. She has four children who still talk to her, and she still interrupts.

 

Rubbish Love Poem, by Martin Grey

Rubbish Love Poem

Love is like a kung fu fighter.
It conducts itself with grace,
but if you let it draw you in,
it might kick you in the face.

Love is like a chainsaw.
Proper use is not a laugh,
‘cos if you treat it irresponsibly,
you might cut yourself in half.

Love is like a cup of tea
that someone else has made.
Sometimes it tastes so wonderful.
Sometimes they put the milk in first.

Love’s a bit like shopping,
full of newness to be handled,
but sometimes you’ll end up in Ikea
with a trolley full of candles.

But love ain’t unconditional,
no matter what you’ve heard,
‘cos if I see you put the milk in first
then I’ll need to have a word.

Martin is a Nottingham based poet. His first collection, The Prettyboys of Gangster Town, was published in 2020. He’s co-director of World Jam, co-host of Lenguas Open Mic and co-presents Poetry Global Network’s The Poetry News. He often wonders if people keep mistaking him for the poet they actually wanted.

 

The Ballad of Bertie Bassett and the Bisto Kids, by Ray Pool

THE BALLAD OF BERTIE BASSETT AND THE BISTO KIDS

This is the ballad of Bertie Bassett
And how he dealt with the Bisto Kids,
He rode into town to settle a score
And to see the woman he did adore.

He felt like settling down at last,
To put away his chequered past,
Mary was in his line of sight,
He hoped to see her this very night.

The Bisto Kids were on his list
riotous gamblers who carried arms,
Bertie now was on the prowl
And soon would face them cheek to jowl.

Meanwhile unbeknownst to them
A US marshall was on the train
Coming to put the kids in gaol,
For shooting and looting in Cripple Dale.

In the diamond X saloon
A poker game was starting up,
the Bisto Kids were always cheating,
The atmosphere was overheating.
Bertie was known for his licquorice log
And had his pick of womenfolk,
Now in the bar, his legs astride,
poor Mary nearly had a stroke.

The players all got up to leave,
as in strode the marshall, the place went quiet
all the drinkers began to burp
They thought it was old Wyatt Earp.

The Bisto Kids had pulled their guns
And theirs were not the only ones
Bertie held his weapons high
But Mary revealed a gartered thigh

Which drew old Bertie’s eyes away
when a bisto bullet hit his leg
but Billy had the quicker draw,
the Bistos fell upon the floor.

“Jack, Jack” a voice was heard,
“Jack, Jack, wake up, wake up !
You fell asleep and the dinner’s ready,
And what have you done to your favourite Teddy?

Little Jack, just shy of ten
His allsorts box quite empty, then
As the smell of gravy came through the door
Said: “Mum, I’m not hungry anymore.”

My flirtation with poetry blossomed whilst working at the BBC. I had a poem published in the Breathru Magazine run by Ken Geering in the late sixties. It is only since semi-retiring from the music business that I ventured into live poetry reading, and am now a prolific writer of poetry. I tend to choose subject matter of a quirky or satirical aspect, often read with mimicked accents and dialects. I have had two pamphlets published by Dempsey and Windle and poems in anthologies by Paradox and Indigo Dreams.

 

Golfing Heaven, by Paul Francis

GOLFING HEAVEN

I hope there’s golfing heaven.
I’m sure there’s golfing hell.
I visit it most weekends –
I know it really well.

The devils haunt me from the tee
They mock my grip, my stance.
“Should you be doing this at your age?”
They think I’ve got no chance.

I shan’t give in. Some practice swings,
I‘m made of sterner stuff.
They smile and clap sarcastically
As I blaze into the rough.

The bunkers seem to chuckle
They’re driving me insane;
The way my chip shot hits the edge
Then bounces back again.

There’s the giggling of banshees
Who devour my inner soul
As once again a two-foot putt
Goes bobbling round the hole.

So as my scores get higher
Par threes take six or seven
I like to dream of changing course –
A move to golfing heaven.

Where drives zip down the fairway
Chips always reach the green
And wedge shots from the bunker
Are the finest ever seen.

It’s hard to pick a highlight
When everything is fine;
Was it the eagle at the fifth?
The albatross on nine?

The clubhouse beer is nectar
All members are my friends.
The round is only eighteen holes
But the feeling never ends.

For there’ll be no more sorrow
In the solace I have found.
They’ll smile and say “Tomorrow
We’ll play another round.”

Paul Francis lives in Shropshire, and is active in the West Midlands poetry scene. He has won three national competitions, and in 2020 came second in the Beyond the Storm poetry competition (2,381 entries). His most recent collection is Rescue from the Dark (Fair Acre Press, 2021).

 

Poem by Julia Whatley

Been feeling quite nostalgic
About that council estate
I was dragged up on
Where my mates and I ran amok
After school I frequent the youth club
Jimmy Cliff and Marvin Gaye
Song in the Key of life
Dancing every night away

At home we had a radiogram
I put the Beatles, White Album on
Dad said that their hairs too bleedin long
And that Jimmy Hendrix’s guitar
Sounds like a strangled cat
I’m off out dad
If you’re going to be like that

My dad smoked park drive
And I helped myself
He used to leave his fags on the shelf
I smoked one in the outside loo
Blamed my little brother
Seemed the only thing to do

Down the youth Club
I met my boyfriend, Vernon
He had a vesper scooter
He ‘d often take me home

This night we skidded and off we fell
My dad was driving in his Zepher Zodiac
My hair blowing in the breeze
He must have noticed me on the back
As we overtook at high speed
My fishnet tights all ripped
And blood pouring from my knees
No helmet and my dad flipped
Grounded, but well worth it!

 

Paddy Andy, by Joe Naughton

Joe Naughton has been writing poetry since 2017 which
derives mainly from memoir and topical issues.
He attends “Over the Edge” writing workshops with Kevin Higgins in Galway.
He has had poems published in Vox Galvia section of “Galway Advertiser”
and is a regular reader on online open mic platforms.

 

Evolution of a Complaint, by Roisin Bugler

Evolution of a Complaint

Neanderthal man enters the cave
throws another carcass of deer
at Neanderthal woman’s feet.
Grunts and gesticulates towards fire.
Woman sighs loudly
throws arms up in exasperation
sets about preparation.

Always the same old meat.
He never cleans up the bones.
Not once has he covered the piss corner with dirt.
Same old charcoal for decorating the wall.
A bit of help with the babies would be nice.
He’s always out hunting with the guys.

I’d kill for a bit of mammoth
or red ochre
or a sleep on
Why can’t he just evolve and become a man?

Róisín Bugler is working on her TBW (to be written) pile.  She was the winner of Strokestown Percy French prize for Witty Verse and runner up in the Padraig Colum International Gathering competition both 2019.

 

Dear Sir/Madam – by Karen Jones

Dear Sir/Madam – by Karen Jones

We hope this finds you well
No need to respond
Our letters always start this way

Thank you for your recent correspondence
It languished in our inbox
Growing mouldier by the day

We refer to the issues raised
Certain you will feel heard
By their very mention on this page

And sorry you feel that way
(Add allegation here) without prejudice
The lawyers got their hands on this

Out of an abundance of caution
Very pedestrian steps have been taken
And nothing will change

We can assure you of that
It sounds solid when you read it back
We liked that last line a lot

There are no plans at present
We’ll bend like palm trees in the morning
It’s a fluid situation at the end of the day

As a gesture of goodwill
We hope the enclosed brings no luck
But needs must, court and whatnot

The matter has been referred
Somewhere, someone, head office
That dark hole of corporate resolve

Don’t hesitate to call
If we can be of any assistance
Now piss off pal, jog on

Committed to the highest standards
Is this statement of vague ambition
We like to shoehorn in at the end

Kind regards
Customer Services
(No, you can’t have the manager instead)

Karen Jones is new to writing poetry, a student of Kevin Higgins, and putting her head above the parapet with this first submission. Born in Northern Ireland, she lives in Dublin and works in public relations.