Month: December 2021

Sprouts, by Claire Hardisty


By Robert Garnham

Sprouts

The son cooks sprouts at Christmas
Virgin olive oil
Garlic
Butter, blocks of it.
Sprouts chopped to fine feathers
There’s a technique you know, Mumma

And during this process, you are wrestling with Delia’s Roasties and
Jamie’s Turkey Crown and Mary’s Homemade Sherry Trifle
Marshalling mint sauce, cranberry sauce, bread sauce.
Running from the hob to the table
Folding napkins into origami something or others
Why do we have 23 knives in the drawer and not a spoon to be seen?
Work out the timings

Daughter appears just before noon
Have an argument with daughter about cracker placement
Bend wire to make table centrepiece, resurrecting last year’s oasis from the garage,
Feeling slightly sorry for the mouse that had made it home
No doubt Mary or Delia would have cut fresh winter roses of damask red from their frosted gardens
I make do with three silk rose things with plastic berries and ribbon, no one will notice anyway
Work out the timings again

Realise that the candlesticks are covered in tarnish and go on mission to find the silver polish
Take off posh Christmas apron with snowman body and put on battered DIY apron
with multiple indeterminate stains, splashes of gloss paint and suspicious marks
Spread newspaper on the side and clean said candlesticks
Dig out the Swarfega from the cupboard under the sink to clean hands after cleaning candlesticks
Drink a glass of bucksfizz that someone made at 9.00 and I never quite got round to

Soon I’ll go and get changed, tidy my hair, spray on perfume,
might even put on a catlick of makeup, add some sparkly earrings but no time yet
Feel a failure for not making real gravy, rely on Mr Bisto instead
Work out the timings again

Chop carrots and beans
Chop finger
Drink cold mulled wine
Check timings

Turn out cupboards
to find the one uncracked Portmeirion Christmas Holly serving dish
Shove the white wine in the freezer as forgot to chill it
And all this while, Son is making his sprouts

Finally all is ready
And the sparkly earrings and outfit are still upstairs
and I in my saggy jeans
and faded shirt and no make up and I don’t care any more
They assemble at table
Daughter wearing size 10 slinky dress and sparkly earrings and more than a catlick of makeup
Son puts sprouts centre stage

And everyone oohs and ahhs
At the sprouts
Son looks at me
Why you wearing your DIY apron, Mumma? I look at him
Best not to answer
Discretion being the better part of valour.

I am a Headteacher in a primary school, and have written poetry since being a small child. I also try to share my love of writing with my school children.

I started going to an online novel class, and a poetry class in February, (run by Gill Lambert and Mark Connors) and feel these have made a tremendous difference to my wellbeing in stressful times.

 

What do you think of, by Sarah J Bryson


By Robert Garnham

What do you think of

when you imagine Christmas?
Is it the fancy eats and sweetie treats
in mouth watering an-ti-ci-pa-tion?
Or is it the gluttony of Christmas
that overloads your mind
with thoughts of our out-sized,
slouch-on-the-couch nation,
engorging in the felicitations?

And when you think of Christmas sounds
do you think of the beauty of a choir,
singing mass at the mid-night hour?
Or the distorted speakers of the ‘Rotary’ sleigh
going round, with collectors shaking tins
on damp December afternoons,
and a skinny man shouting a thin “ho-ho-ho,”
lost inside the outsized Santa suit?

What do you see in your minds eye
when you think of Christmas?
Do you see the delicate twinkling tree,
put up lovingly by the whole family
or the glittery, over-dressed shop windows
and the grotesque street decorations
put up in October half-term, taken down,
perhaps, in time for Easter celebrations?

Maybe you think of the thrill of giving?
Bringing joy with your gift of a toy,
carefully chosen, wrapped and sent,
all savings spent? Or is this sentiment
lost in greedy commercialism?
When every child is asked to produce a list
and every shop sells gifts of badly-made-tat
to fill the stockings of each ungrateful brat.

What about the scent of Christmas?
Do you imagine oranges-stuck-with-cloves,
and hot mulled-wine which wafts to your nose,
mixed with pine needles, and warm mince pies?
But no, with Christmas trees made from plastic and wire,
and radiators, not a real log fire, and no time for making –
instead there’s the faking of the Christmas smell
sprayed from a can, which M & S sell.

But think of the excitement of Christmas…..
the thought of finding, with wriggling toes
a stuffed Christmas stocking… and thoughts of,
the possibility of, “What if it snows?”
And the thrill of seeing all those relations,
not seen since last year, (at Auntie Flo’s)
not since the last blazing row about….
ah well – who remembers what?

Another year flown, another marker for how we age,
see how the children have grown, since last time.

Sarah J Bryson has poems published in print journals, anthologies and on line. During the Covid pandemic, she took part in a weekly event, combining photographs with haiku style poetry. She has several poems on the Poetry and Covid site. She has been recently commended in the YorkMix poetry competition

 

The Urban Cowboy, by Ben Macnair


By Robert Garnham

The Urban Cowboy

The Urban Cowboy,
thinks he is at the Rodeo.
In his white Tuxedo,
dancing as if he was
John Travolta.

The Urban Cowboy,
with his wide-brimmed Stetson,
a man with no name,
useless in the Cheers Bar,
never being served by Ted Danson.

The Urban Cowboy,
with his leather trousers,
the sheen and the crackle,
the static electricity,
is not who he says he is.
His Saturn Return turned to Jupiter,
his midlife crises a cliche
for a man born at the wrong time
in the wrong place,
to the wrong parents,
with the wrong face.

The Urban Cowboy,
rides the train, not horses,
his steed is late and expensive.
The Urban Cowboy could always
be anyone wishing they were someone else.

Ben Macnair is an award-winning poet and playwright from Staffordshire in the West Midlands. Follow him on Twitter @benmacnair

 

Apartment 5E, by Kevin Higgins


By Robert Garnham

Apartment 5E
after Rod McKuen

The old woman upstairs is again engaging
in multi-partner Sadomasochism.
I set my watch
by the yelps and screams wafting
through my ceiling.

I see her often abseiling
down the side of the building
in her bloodstained overcoat,
or shuffling off at night
to the used leather goods shop.

Every Hanukah early morning
I hear her playing heavy metal
music at top volume,
or stomping overhead
in her replica World War Two German Army boots.

For Christmas,
she brings me letters she says
the postman misdelivered –
hospital appointments,
final reminders, and, once, a death threat –
all of them addressed to The Occupier.

KEVIN HIGGINS is co-organiser of Over The Edge literary events in Galway. He has published five previous full collections of poems: The Boy With No Face (2005), Time Gentlemen, Please (2008), Frightening New Furniture (2010), The Ghost In The Lobby (2014), & Sex and Death at Merlin Park Hospital (2019). His poems also feature in Identity Parade – New Britishand Irish Poets (Bloodaxe, 2010) and in The Hundred Years’ War: modern war poems (Ed Neil Astley, Bloodaxe May 2014). Kevin was satirist-in-residence with the alternative literature website The Bogman’s Cannon 2015-16. 2016 – The Selected Satires of Kevin Higgins was published by NuaScéalta in 2016. The Minister For Poetry Has Decreed was published by Culture Matters (UK) also in 2016. Song of Songs 2:0 – New & Selected Poems was published by Salmon in Spring 2017. Kevin is a highly experienced workshop facilitator and several of his students have gone on to achieve publication success. He has facilitated poetry workshops at Galway Arts Centre and taught Creative Writing at Galway Technical Institute for the past fifteen years. Kevin is the Creative Writing Director for the NUI Galway International Summer School and also teaches on the NUIG BA Creative Writing Connect programme. His poems have been praised by, among others, Tony Blair’s biographer John Rentoul, Observer columnist Nick Cohen, writer and activist Eamonn McCann, historian Ruth Dudley Edwards, and Sunday Independent columnist Gene Kerrigan; and have been quoted in The Daily Telegraph, The Independent, The Times (London), Hot Press magazine, Phoenix magazine, The Daily Mirror and on The Vincent Browne Show, and read aloud by Ken Loach at a political meeting in London. He has published topical political poems in publications as various as The New European, The Morning Star, Dissent Magazine (USA), Village Magazine (Ireland), & Harry’s Place. The Stinging Fly magazine has described Kevin as “likely the most widely read living poet in Ireland”. One of Kevin’s poems features in A Galway Epiphany, the final instalment of Ken Bruen’s Jack Taylor series of novels which is just published. His work has been broadcast on RTE Radio, Lyric FM, and BBC Radio 4. His book The Colour Yellow & The Number 19: Negative Thoughts That Helped One Man Mostly Retain His Sanity During 2020 was published in late by Nuascealta. His extended essay Thrills & Difficulties: Being A Marxist Poet In 21st Century Ireland was published in pamphlet form by Beir Bua Press this year. Ecstatic, Kevin’s sixth full poetry collection, will be published by Salmon next March.

 

Stopping by stairs on a frosty morning, by Fianna


By Robert Garnham

Stopping by stairs on a frosty morning

after ( and with no disrespect to) Robert Frost

Whose sock is this? I think I know!
Its twin is in the laundry though
Oh why has Robert left one here
while all the rest grow white as snow?

Ach! Should I wash by hand? No fear!
I wouldn’t want that stink so near
my face, though if I hesitate
it might stay dirty till new year

It seems the only choice is scrape
the horse-poo off with soapy flake
I do not want the smell to creep
or mingle with my Christmas cake.

I spray the air with Forest Deep
and poke the sock down-in to steep
It takes an age to stop that reek
It takes an age to stop that reek.

Fianna (Fiona Russell Dodwell)

Fianna ( Fiona Russell Dodwell ) is from the Fife and Antrim coasts, and now lives in the Cambridgeshire Fens. Her first poems were published in Ink Sweat and Tears, and she has since had about 70 poems published, both online and on paper.

 

A Last Will for your Detriment, by Cáit O’Neill McCullagh


By Robert Garnham

A Last Will For Your Detriment

after ‘Bequests’ by Kevin Higgins

I, Kitty of the Firths
unsounded in this queasy world
invoke these many bold bequests
upon the heads of the priapic primi
pomposities of party patriarchs & aparatchiks
furnish your wine fountainheads & cheese centrespreads
ye deadheaded dulleries, these items to fulsomely enjoy

[may they visit you in your blue sky thinkeries
haunt the despicability of your venal drinkeries
reduce you to the scuff on the scuffed shoes that squirm
about the fleet feet of the cleaner-uppers that scrub stains
from the sticky floors of your reputations]

Item I

the ire of a dram-drunk Highland midge, more
the whole disgruntled genealogy of midges
may they berserk every kagouled dippy picnic
of your sandwich-strewn hay-baled hippy chic

Item II

may the marriage of a rusted key & unyielding tin
splice you from the pads of your pinkie promises
& may you chomp that sweaty slab of corny beef forever
millennia of hard to swallow BS wrapped in lethal armour

Item III

the gape-mouthed masked-shut silent tears
of a pandemic peoples’ damp-sheet sweated fears
& if you crossed the line that you asked them to keep
endless pundits razored tongues to grip you from your sleep

Item IV

forever may you step the spiral stairs to the teetered tower
where you held humanity dangled, rampart tipped its toes
neck wringed it in your greedy grasp! O contemptuous
face now the howling wind of your very own disgrace

About me:

Cáit O’Neill McCullagh is a straying ethnologist in the Scottish Highlands. She started writing poetry in December 2020. Since then her poems have appeared in Northwords Now, Spilling Cocoa over Martin Amis, Drawn to the Light, Bella Caledonia, Lothlorien Poetry Journal, and The Banyan Review. Cáit tweets at @kittyjmac .

 

The Birds and Bees at Aldi’s Checkout, by Lorraine Carey


By Robert Garnham

The Birds and Bees at Aldi’s Checkout

Showering my five year old
one evening in the run up
to Christmas, he casually
enquired whether Santa Claus
could see his privates,
and hear him fart in bed.

Stifling a laugh I realised days before,
I’d declared Santa could
see and hear everything
At the supermarket checkout,
he asked do I have to be a Granddad
when I grow up ?

Bagging groceries as fast as I could,
I replied, well, that depends
and you would need to be a Dad first.
I knew what was coming
and so did the shoppers in the queue.
He appeared a bit flummoxed

and asked how do I be a Dad then ?
Using age appropriate language,
I attempted an answer while loading
the boot, hoped it would suffice,
explaining it would be a really, really
long time before he was a man and had

to worry about a girlfriend or things like that.
Driving home, he hummed Jingle Bells
behind me, elevated in a booster seat,
with his chocolate crusted cupid’s bow,
firing off questions to his teddy
like sparks from a Catherine Wheel,

saving this one just for me.
Mum, what if I’m all growed up
in love like a man with my lady
and forget what I have to do ?

Lorraine Carey’s a poet from Greencastle, Donegal. Her poems are widely anthologised and have appeared in Poetry Ireland Review, The Waxed Lemon, One, Abridged, Poetry Birmingham, The High Window, Ink Sweat &Tears, Orbis, Eunoia Review and The Honest Ulsterman. Her art and photography have also featured online and in print.

 

There Was Once A Girl with Red Glasses, by Pip McDonald


By Robert Garnham

There Was Once a Girl with Red Glasses

There was once a girl with red glasses
She wasn’t the same as other lasses
Her specs became
Her eternal flame
It was she was different from the masses

The glasses were clearly special
They were made of magic metal
When she took them off
The magic was lost
Like a flower who lost a petal

She tried to wear different colours
But alas life became duller
She became depressed
Lust for life was less
She just couldn’t cope with another

The answer was simply red
Or she would be found dead
She would fall down
To the ground
To red she would be wed

There will simply never be another frame
And life will never be the same
They looked after her face
Like a warm embrace
It makes her want to dance in the rain

She couldn’t live without her specs
Without them she would become a wreck
Her red is on
She’s got it going on
Red is really better than sex

Some people say she should change
But she thinks that this would be strange
Why fix it if it works?
Because red rules the world
Her glasses make her sane

There was once girl with red glasses
Who rose like a phoenix from the ashes
She never looked back
Red is the new black
Eyes flickering with red flashes

Red was in her DNA
A revolution, the one, the way
Red was the light
It shines so bright
Red glass are here to stay

Pip McDonald writes and performs her own poetry and is a DJ for The Thursday Night Show. Pip has written and performed original poetry both in an online capacity and at live open mic events including Conversations make Connections event, part of London Festival of Ideas organised by Open Ealing Art Centre, the Oxford University English Society Poetry Night, Write Out Loud and Gobjaw in London. You can follow Pip on Twitter: @PipMac6
Photograph

 

Five More Limericks, by Mark Totterdell


By Robert Garnham

FIVE MORE LIMERICKS

He was not one of life’s born attackers,
Just the gentlest and best of alpacas,
But he spat and he bit
And behaved like a shit
When the vet came to snip off his knackers.

The whale that is known as the Minke
Is ever so streamlined and slinke.
Though it isn’t to blame,
It’s a terrible shame
That its breath is so horribly stinke.

There was an old hippy from Warwick
Who dropped acid to feel all euphoric,
But he should have been stopped
As the acid he dropped
Was one hundred per cent hydrochloric.

‘So is this how I meet the Grim Reaper?’
Cried the junior elephant keeper,
As he fell in the pit
Full of elephant shit
And sank deeper and deeper and deeper.

There was an old fellow from Shoreham,
Whose trousers slipped down as he wore ‘em,
First revealing his crack,
Then his dick, then his sack,
Till quite frankly you couldn’t ignore ‘em.

Mark Totterdell’s poems have appeared widely in magazines. His collections are This Patter of Traces (Oversteps Books, 2014), Mapping (Indigo Dreams Publishing, 2018) and Mollusc (The High Window Press, 2021).

 

AlApHaBeTi-KiNtSuGi, by Mandy Beattie


By Robert Garnham

AlApHaBeTi-KiNtSuGi

a poem or three or seven
on the march
should be the easel on which it squats thrusting
its chin out & leaving

beetroot stains & cyan

on finger prints hectares after it’s been written
and read it should
dive into a murmuration of starlings & larks not treading
water as jellyfish do but leave us
rubber-necking miles after it’s been seeded into

a stanza-pancake dripping

butter & gooseberry jam with dollops

of double cream melting

in the mouth with or without capitals
commas & fullstops for Pollock’s art
of oxygen in a tempest of ukulele
& didgeridoo or the unexpected hiccough
of spilt manuka ginger & star-anise

scratching a dictionary & search engines in caps
& gowns or street-smarts clamping the thesaurus
for a lethologica word lethonomia word

or a tsunami-tumbrel of words
that leave me

trapezing back to fidget it
leaving it
to brew
for weeks coddled & culled until it has no more
hem for honing as it shoogle’s its grommet
into the groove
of the world where it thumbs mulched wood
a gold Cup Bearer in the winning
of 5 stars from Cassiopeia maybe
or maybe knot?