Earthworms are Awesome, by Holly Conant

Earthworms Are Awesome

I mean, they literally feed the fucking planet. Take our fermented banana, yellow miasma and crap it out as wise-man’s gold. And I feel impressed with my morning turd! But that needs hours of processing, by loads of people in hazmat suits with fancy gizmos, before it turns into anything useful. I’d rather be a worm: take a shit, and boom, job done; it’s warm and ready to be laid into by a seed-bean or bulb. Maybe I’d be more fulfilled without a human brain to contradict my purpose. I’d find my way into a middle-class compost bin, spend all day eating potpourri detritus, and be a rent-free master architect, redacting common land law. I’d be humbled by my legless body, my simple ways of building, mindful of camber structure instead of grey velvet sofas and Mrs Hinch. I’d be at home in dirt, throw my gender away and bag the kinky night-time rendezvous’ amongst an orgy of grass with wet breath. The human hand would be no more risk to me than it is now, maybe even less, and mother Earth might forgive me for my flesh. I just hope being swallowed by a bird is a quick death.

Holly is a mature student currently studying at the University of Leeds. Her poems have been published since January 2021 by Ink, Sweat & Tears, Anti-Heroin Chic, Spilling Cocoa Over Martin Amis, Dreich and more, as well as appearing in anthologies. She is currently working on her debut collection.

Twitter: @Holly_C_Writer

 

Reincarnation Revenge, by Catherine Doherty Nicholls

Reincarnation Revenge

If I come back
I’ll be a flea,
A sexy flea
who’s bitchy

Throw wild flea orgies
in your bed,
and bite you
’til you’re itchy

Winner of no Poetry Ireland Competition, or any other competition, no published debut collection, nothing printed anywhere else yet except here. 
Her poems have been nominated for nothing so she’s nominating this poem to go on this page – a great place to start nominating. 

She is the curator of nothing. Her anthology doesn’t exist, yet she keeps going.

 

The Neighbour’s Fish, by Lynn White

The Neighbours Fish

The neighbours had asked her to feed their fish.
They were going on a short holiday.
It sounded straightforward,
should have been straightforward.
“But I overfed it,” she said,
“and it burst open,
exploded
all over the place.”

She looked glum.

“But that wasn’t the worst of it.
Next thing is
the dog’s eaten it.
And that wasn’t the end of it,
next thing is
he started to be sick,
just puked it up all over their carpet.”

She looked glum.

“The carpet’s wrecked,” she said.

First published in Scrittura, Summer 2020

Bio: Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She has been nominated for a Pushcart Prize and a Rhysling Award. https://lynnwhitepoetry.blogspot.com and https://www.facebook.com/Lynn-White-Poetry-1603675983213077/

 

Chicken Mystery, by Catherine Doherty Nicholls

Chicken Mystery

I found a frozen chicken in a hedge.
Fully wrapped, not a bit defrosted,
Maybe I could roast it with potatoes.
Who threw it there?
Some litterbug had tossed it.

I put it in my bag
and kept on walking,
White winter sunlight,
blinding as it set,
Then more things rolled towards me on the tarmac,
A tin of beans,
and lemons in a net.

If I took them would that count as stealing?
I pondered
as I wandered back to mine,
Was I being followed by the owner,
of a chicken that cost two pounds ninety nine?

Something told me someone was behind me,
It was creepy, l felt right on edge,
Panicking, I ran till I was gasping,
and threw the chicken, beans and lemons in a hedge.

Winner of no Poetry Ireland Competition, or any other competition, no published debut collection, nothing printed anywhere yet.
Her poems have been nominated for nothing so she’s nominating this poem to go on this page – a great place to start.

She is the curator of nothing. Her anthology doesn’t exist, yet she keeps going.

A student of Kevin Higgins.

 

To my first boyfriend, by Carla Scarano

To my first boyfriend

You liked my loose denim dungarees
and the XL second hand chequered man’s shirts
I bought at Porta Portese Sunday market.
My girlhood knee-length skirts and matching tops didn’t fit.
I felt fat, my body rounding
shaping itself beyond my teenager’s imagination, dangerous.

But you liked my new look
you thought I was cool.
I could sit on your knees during the break,
the trousers brimming under my shoes
dragging when I walked.
The hem became ragged so mum sewed it up.

The head teacher called me one day
and asked why I was dressing in such a way
despite my good marks.
I said I felt fat, I needed loose clothes
I needed space to fit my body,
a better chance.

Carla Scarano D’Antonio lives in Surrey with her family. She obtained her Master of Arts in Creative Writing at Lancaster University and has published her creative work in various magazines and reviews. Her short collection Negotiating Caponata was published in July 2020. She worked on a PhD on Margaret Atwood’s work at the University of Reading and graduated in April 2021.
http://carlascarano.blogspot.com/
http://www.carlascaranod.co.uk/

 

You Know!, by Carl Burkitt

YOU KNOW!

The other day I was chatting to that pig.
You know, the one with the wig.
The wig that’s too big
and made of figs and bits of twigs.

You know, the pig,
he’s friends with that goat.
The goat with the tiny boat
made of dusty coats and TV remotes.

You know, the goat and the pig,
they hang out with that cow.
The cow with the eyebrows
made of snow ploughs and know how.

You know, the cow and the goat and the pig,
they’re always chatting to that duck.
The duck with the monster truck
made of hockey pucks and dog muck.

You know, the duck and the cow and the goat and the pig,
they’re buddies with that horse.
The horse with the racecourse
made of brute force and tomato sauce.

You know, the horse and the duck
and the cow and the goat and the pig!
You know what,
maybe I’ve never introduced you.

Carl Burkitt likes to tell tales. He tells long tales, short tales, silly tales, sad tales, and likes to tell them online, behind a mic, in books, in schools or on the sofa with his young family in Manchester. His debut collection What Does A Baby Think It Is? And Other Questions was published in 2020 by Enthusiastic Press.

 

Gannet, by Catherine Doherty Nicholls

Gannet

Alice had a mallet
and she swung it at a gannet
as it swooped
to steal her sandwich at the beach

Then the gannet landed on the
sandwich,
and with malice
pecked her hand that held the mallet
till she screeched.

She was really bleeding
but the tide was not receding
so she swung again
and nearly cracked his head

In the great commotion
they were swallowed by the ocean
as they fought for ham and bread
and now they’re dead.

Catherine Doherty Nicholls

Winner of no Poetry Ireland Competition, or any other competition, no published debut collection, nothing printed anywhere yet.
Her poems have been nominated for nothing so she’s nominating this poem to go on this page – a great place to start.

She is the curator of nothing. Her anthology doesn’t exist, yet she keeps going.

A student of Kevin Higgins.

 

Banana Pooh!, by Andy Brown

Banana Pooh!
Should you decide to ever quietly walk and to never ever absolutely not talk
whenever you go to the bustling zoo that means you won’t slip on Banana Pooh
because you may not actually even know bananas have ears that expand and grow
that hear you’re about to eat them whole it goes slap bang into the banana soul
but should they ever knowingly hear then you will trigger all that banana fear
and what will happen is what we would do and bananas feel they have to also pooh
and if you look and note their little ruse of how they camouflage and easily bruise
beware of that little bit on the end that you just can’t help but to bend
and remove before it goes into your mouth and then what happens, it all goes south!

It’s not just the bananas that generate that mess, sometimes it is more but often it is less,
tends to be the ones that consume it the most, the proper primates, the living and the ghost
of zoos gone by with Scrooge’s revenge, from ancient times and new-Stonehenge
the tales have come from down the years of how humans conquer banana fears
and give them to the monkeys and the apes watching all their frenetic merry japes
their swinging and climbing, laughing glee, but then they stare, and sit upon the tree
and let it out with messy, meticulous aim competing with each other for Olympic fame
of splattering and spluttering and splashing, of beating, hitting and crescendo crashing
as we look at them swing and do their tricks they communicate with each other, call us dicks
and know they have always been here first and always know what species is the worst
as they watch us eat their staple food, moon us, laugh and generally be rude.

If chancing to unzip that yellow fruit don’t think to wear a high-heel boot
forever be aware of whatever shoe is worn to venture to your local zoo
because it’s so definitely so, so true you could slip or slide on banana pooh!
Perhaps you need legs like storks or need to balance on prong-like forks
if you would ever venture to that zoo where you could slip on banana pooh!

So should you ever again go to your local zoo and perhaps never have seen banana pooh
just get your camera, aim and click, stand back and watch their evil trick
see them act as if on Shakespearian stage unleashing fiery, ferocious Gorilla rage
as needless, unthinking reflective glare makes many a normal calm primate swear
then beware, see how they run, they rushed to get that infernal, flashing camera crushed
thinking if they could get you in their paws they would scratch you with serrated claws
and then they would definitely sit upon you deliberately despatching bombing banana pooh
with gorilla smiles, chewing, looking serene claiming innocence as if have never been!
Please keep your senses fully tuned or you could easily find a wound
but should you ever damage leg or arm your reckless nonsense led to harm
because didn’t heed all sound advice you deserve your limbs cut, sliced or diced!

 

Malacophagy, by Mark Totterdell

In a pub that overlooked saltwater,
I ate a heap of mussels,
so sweet, so soft, I never tasted better,
well worth the mess and hassle.

On the beach at Sidmouth, one damp summer,
I chewed into a whelk,
a plug of solid snot or slimy rubber
not fit for decent folk.

In a big marquee one time, in public,
I went down on an oyster.
The sea was rising, falling in my gullet
for what seemed ever after.

By the Med, with chips, I chomped on suckers
of deep-fried octopus.
I fear my smart and subtle distant cousin
was hardly well-served thus.

‘Mark Totterdell’s poems have appeared widely in magazines and have occasionally won competitions. His collections are ‘This Patter of Traces’ (Oversteps Books, 2014) and ‘Mapping’ (Indigo Dreams Publishing, 2018; http://www.indigodreams.co.uk/mark-totterdell/4594336680).’ 

 

The Rabbit by Barry Ergang

Once it was in raw November...or October? Can’t remember--
I was worn and badly wasted from a long day at the store
and I dozed off, no doubt drooling (I’m not kidding, I’m not fooling:
work that day was really grueling--puling patrons, I footsore),
while my love and her big brother called on friends they’d seen before.
        ’Twas just a social, heretofore.

Next day my love told me, “Honey, I am gonna get a bunny.
My brother’s friends raise troops of rabbits, troops enough to make a corps!”
I stared at her, my vision’s habit, then declared, “There’ll be no rabbit.”
At that she struck my rib--she jabbed it--elbowed it till it was sore.
“It’s cute! They’ll give it free,” she cried. “You know that bunnies I adore.”
        Thus my plea she did ignore.

I bound the rib and, vocally heated, gazed at love and still entreated,
reminding her that rabbits breed, they spawn like grunion on the shore.
“If with pet you must cohabit, why’s it have to be a rabbit?
Why not sea-life? Hermit crabs fit...Tuna! You’ll get albacore!”
Her look spoke volumes, drilling through me, but from curses she forbore.
        “I’ll have one bunny. Say no more.”

Hence in a December snowy, when the wind was cold and blowy,
my love and I betook ourselves, to sate her antic leporine chore,
to brother’s friends named John and Tony, pleasant guys and never phony,
whilst I continued to be groany right up to their house’s door.
Up the icy path we went to house with windows rimed with hoar.
        My love was smiling smiles galore.

Then inside we were admitted, where John and Tony’s two dogs flitted--
Trev and Raleigh welcomed us with canine capers at the fore.
How they frolicked, Trev and Raleigh, greeting party ever jolly,
eager to begin the folly that brought my love back to their door.
They leaped about, devotion dogged, licking hands for their encore.
        “Dogs!” our hosts snapped. “Calm restore!”

John and Tony soon besought us, and our custom long had taught us,
to take refreshment, eat and drink--and neither grub nor glass forswore.
A tray of snacks they then extended and, lest they should be offended,
to our dinner we appended nosh and beverage furthermore.
“Have some coffee?” they inquired. “Some tea, perhaps?--Here, have a S’more!”
        My love craved harey herbivore.

So belowground we were taken, to the cellar not forsaken
by our hosts who here bred rabbits--here, I say, not Baltimore.
My love rushed forward, ever eager (penned-up creatures do intrigue her)
to rabbit cage with space so meager over which her heart did pour,
and snatched the fair and radiant rabbit whose legs jerked like a semaphore.
        We named her Twitchley, not Lenore.

Well, by gum! by gosh! dagnabbit! My love finally got her rabbit,
and with it home we hied to give it warmth from weather’s biting frore.
There encaged the bunny huddled; my love’s soul was liquid puddled,
for with quaking, nervous bunny she’d have cuddled on the floor.
“I’m your mother, baby,” she said. “Come to me!” she did implore.
        ’Twouldn’t be for two days more.

Soon accustomed and ensconced in her own room--here, not Wisconsin--
Twitchley romped and rocketed around the place--how she did soar!
She’d hide at length behind some clutter; love and I would often mutter
that she’d speed as slick as butter to hideyhole behind the door
where we discovered heaps of fibers from the carpet that she tore.
        She gnawed the carpet, never floor.

She was calm--the Bunlai Lama--distant from the human drama,
and when we moved her to the kitchen she made not a single roar.
Apples, pears and hay she munched, or tasty carrot neatly crunched--
within her cage intently hunched (the cage was made in Singapore)--
ate her peanuts, cherries, popcorn, lettuce that she gently tore--
        ate just enough but never more.

Next she spied her stuffed pink piglet, shook her scut--oh Lord, did wiggle it!--
leaped from cage and circled toy quite like a fearless picador.
Then she mounted, vibrant, humping--clutching, avid, swiftly pumping;
little rabbit feet a-thumping, rump a-bump ’gainst kitchen floor--
chieftainess atop her subject, dominant, sans pinafore,
        as dainty as a stevedore.

Twitchley’s life? A bowl of cherries or, I should say, bunny berries;
with them daily she got richer, pile by pile beside the door.
Satisfied from all her humping, Twitch withdrew and squatted, dumping.
Once again I started grumping to my love about the chore
of picking up fresh rabbit poop that unimproved the room’s decor.
        She sighed, grabbed broom and swept the floor.

Oy, gevult! They kept on coming, pouring from that rabbit’s plumbing
like cluster bombs, a mass so vast--enough to sink Corregidor!
While I trod there, nearly snapping, again I heard the faintest tapping
as of rabbit slyly crapping pellets on the kitchen floor.
“My love,” said I, “my darling...honey--get a vacuum, I implore.”
        From cork suggesting I forbore.

Thrice while love and I were talking on the phone, our Twitch went stalking,
saw the line connecting handset to the base and then made war:
chewed the wire--with teeth she crumped it--hopped away, the little strumpet.
Sudden silence made me trumpet, “You there? Can’t hear you anymore!”
Thus my love picked up extension, our discussion to restore.
        Quoth the rabbit, “Sever cord.”

Yes, I know I seem curmudgeon, that my story’s full of dudgeon,
but watching my love hugging Twitch became contentment’s metaphor.
Their snuggle sessions were terrific--love with smile so beatific,
the kitchen chamber so pacific as rabbit she caressed and more:
crooned Twitch nicknames, sang weird songs--my comic love, the troubadour.
        My love and Twitchley I adore.

So, you see, for all my drab wit, I too came to love that rabbit.
Like my love she is the sweetest daughter mother ever bore.
Whenever worries had me sweating, I’d engage in bunny-petting
and sure enough my awful fretting sailed the creek without an oar.
I had my love and Twitch to steer me from disquiet’s roiling shore.
        Precious angels--evermore.

Former Managing Editor of Futures Mystery Anthology Magazine and former First Senior Editor of Mysterical-e, Barry Ergang’s poetry, fiction and non-fiction have appeared in numerous publications, print and electronic. A Derringer Award winner from the Short Mystery Fiction Society, some of his work is available at Smashwords and Amazon.